M Quake: Fall In Love With Yourself (7-Inch Single)
Purely Physical
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Following Locks On Our Doors Not On Our Hearts (BLACKEST 061LP), a long form confessional for Blackest Ever Black, M. Quake (Tarquin Manek/Martina Quake) return to redirect relationship lament into alternate, shifting worlds for Fall in Love With Yourself via Purely Physical. In this 7 45, you are treated first to an off the cuff philosophy on how to love. Side A uses a sample from an interview with Eartha Kitt, her voice sitting atop Quake's stripped-back, sticks 'n' stones production style which utilizes background noise elements in the interview - birds chirping, dogs barking - with Eartha's powerful attitude emphasized by an almost gospel-like, dubbed-out organ. Side B, in classic instrumental dub style, acts almost as a demonstration or exhibition of this new found self-love, giving you the fully fleshed-out version that unveils all the sounds present in the A side and plays to all of the producer's strengths. What's left of the vocal is echoed to smithereens, the sub-bass line and resonant chords all harmoniously combining to create a surreal, Disneyland-like utopian setting.
Following Locks On Our Doors Not On Our Hearts (BLACKEST 061LP), a long form confessional for Blackest Ever Black, M. Quake (Tarquin Manek/Martina Quake) return to redirect relationship lament into alternate, shifting worlds for Fall in Love With Yourself via Purely Physical. In this 7 45, you are treated first to an off the cuff philosophy on how to love. Side A uses a sample from an interview with Eartha Kitt, her voice sitting atop Quake's stripped-back, sticks 'n' stones production style which utilizes background noise elements in the interview - birds chirping, dogs barking - with Eartha's powerful attitude emphasized by an almost gospel-like, dubbed-out organ. Side B, in classic instrumental dub style, acts almost as a demonstration or exhibition of this new found self-love, giving you the fully fleshed-out version that unveils all the sounds present in the A side and plays to all of the producer's strengths. What's left of the vocal is echoed to smithereens, the sub-bass line and resonant chords all harmoniously combining to create a surreal, Disneyland-like utopian setting.