Various Artists: TV Sound and Image Vol. 1: British Television Film (Vinyl LP)
Soul Jazz
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Part One of Two. 2012 double vinyl LP compilation that provides an overview of British composers who worked in television, film and music libraries the second half of the 20th century. Aside from John Barry, the majority of composers featured here remain relatively unknown. And yet ironically they have created some of the most recognizable songs in British popular culture, their music widely disseminated on television. This album is not however a stroll through the TV memories of the mind, but an exploration of the serious contribution that these creative musicians have on the landscape of popular music in Britain. Most of the music featured here was commissioned by music libraries such as KPM, de Wolfe, Chappell, Bruton, Themes International, Peer International, Conroy and Amphonic. Perhaps the most interesting aspect of the music featured here is that despite library or commissioned music being on the one-hand the ultimate 'faceless music', with composers often un-credited, it's widespread use in film and television makes it simultaneously some of the most recognizable in the world. Soul Jazz. Barry Stoller- Condition Red, Pentangle - Light Flight (Theme from Take Three Girls), Geoff Love and His Orchestra - Three Days of the Condor, The Tony Hatch Sound - Man Alive, Richard Denton and Martin Cook - Tomorrow's World, Brian Fahey and His Orchestra - at the Sign of the Swingin' Cymbal, Bullet - the Contract Man, Syd Dale - Man Friday, The Laurie Johnson Orchestra - Echo Four-Two, Keith Papworth - Hard Hitter, John Barry - the Persuaders, Roy Budd - Getting Nowhere in a Hurry, The Simon Park Orchestra - Dawn to Dusk, The Marylebone Orchestra - Fiesta Numero Uno, Sort of Soul - Bird 'N Brass, Johnny Gregory and His Orchestra - the Avengers, Johnny Harris - Fragment of Fear, Roy Budd - Get Carter, Neil Richardson - Guide Path
Part One of Two. 2012 double vinyl LP compilation that provides an overview of British composers who worked in television, film and music libraries the second half of the 20th century. Aside from John Barry, the majority of composers featured here remain relatively unknown. And yet ironically they have created some of the most recognizable songs in British popular culture, their music widely disseminated on television. This album is not however a stroll through the TV memories of the mind, but an exploration of the serious contribution that these creative musicians have on the landscape of popular music in Britain. Most of the music featured here was commissioned by music libraries such as KPM, de Wolfe, Chappell, Bruton, Themes International, Peer International, Conroy and Amphonic. Perhaps the most interesting aspect of the music featured here is that despite library or commissioned music being on the one-hand the ultimate 'faceless music', with composers often un-credited, it's widespread use in film and television makes it simultaneously some of the most recognizable in the world. Soul Jazz. Barry Stoller- Condition Red, Pentangle - Light Flight (Theme from Take Three Girls), Geoff Love and His Orchestra - Three Days of the Condor, The Tony Hatch Sound - Man Alive, Richard Denton and Martin Cook - Tomorrow's World, Brian Fahey and His Orchestra - at the Sign of the Swingin' Cymbal, Bullet - the Contract Man, Syd Dale - Man Friday, The Laurie Johnson Orchestra - Echo Four-Two, Keith Papworth - Hard Hitter, John Barry - the Persuaders, Roy Budd - Getting Nowhere in a Hurry, The Simon Park Orchestra - Dawn to Dusk, The Marylebone Orchestra - Fiesta Numero Uno, Sort of Soul - Bird 'N Brass, Johnny Gregory and His Orchestra - the Avengers, Johnny Harris - Fragment of Fear, Roy Budd - Get Carter, Neil Richardson - Guide Path