Clint Stewart presents two big room jams for his second solo effort on Second State Audio. The A-side, Throwing Stones, begins with giant rolling sub bass, slowly grows with atmospheric chimes and vocal snippets, then finally snaps back into reality as the bass changes and a single looping synth takes center stage. On the B-side, Stewart goes for a warmer, more uplifting tone with Come Undone. a solid groove culminates into a wash of delayed chimes as the breakdown introduces the lead: an unforgettable brass line that is sure to have all the hands in the air. Throwing Stones, Come Undone