{"product_id":"5055869559485","title":"Jabu: Sleep Heavy (Vinyl LP)","description":"LP version. Blackest Ever Black presents Sleep Heavy, the debut album of broken-hearted, downtempo R\u0026amp;B\/street-soul and supremely atmospheric, introspective electronics from Jabu: a trio comprised of vocalist\/lyricists Alex Rendall and Jasmine Butt, and producer Amos Childs. The group was born out of Bristol's Young Echo collective: an ecosystem unto itself which has birthed and nurtured a number of other notable soundsystem-rooted projects and artists to date, including Kahn \u0026amp; Neek, Sam Kidel, Ishan Sound, Ossia, Asda, Chester Giles, and Killing Sound (Childs with Kidel and Vessel). Jabu's previous 7 singles, though arresting, barely hinted at the level of accomplishment and emotional heft that Sleep Heavy delivers. It's a future Bristol classic with a universal resonance, with songs that are highly personal but deeply relatable, and a tripped-out, time-dissolving sound design that both haunts and consoles. It is, first and foremost, a meditation on grief, loss, making sense of separation, and death; but it also looks forward to what might come after the aftermath: healing, acceptance, the chance to begin again. Childs is one of the most gifted producers of his generation and his work here, grounded in hip-hop but floating free, is a thing of sustained wonder: crepuscular, melancholic, subtly psychedelic, and heavily dubwise, but always concise and purposeful. Stitched together from deep-dug and beautifully repurposed samples, it draws on influences from US R\u0026amp;B to Japanese art-pop minimalism - Mariah to Mariah Carey, if you will - and a rich seam of underground UK soul, boogie, DIY\/post-punk, library music, and lovers rock. There is also of course a distant connection to the Bristol blues of Smith \u0026amp; Mighty and the sultry urban gothic of Protection-era Massive Attack (1994), but Jabu's orchestration of womb-like ambiences, cold synth tones, and brittle beats feel entirely sui generis. They provide the perfect setting for Rendall's wounded, imploring and carefully weighted vocals, which are no less extraordinary: nodding to giants like Teddy Pendergrass and The Temptations in terms of phrasing and front-and-center vulnerability, with something of The Associates' Billy MacKenzie in there too; defeated but defiant. Meanwhile, Jas's heavenly interventions, sometimes leading but more often parsed and layered into tremulous, gossamer abstraction, draw a line between the Catholic choral harmonies of her childhood and the ethereal, oceanic sweep of Cocteau Twins. By it's end, Sleep Heavy's world-weariness is intact and scarcely diminished, but some light has been admitted, and is visible from the sea-floor.  Let Me Know, Tomb, Get to You, Fool If, Bones, on, Searc, Wounds, Which Way, Lay You Down, Give","brand":"Blackest Ever Black","offers":[{"title":"Default Title","offer_id":39577541279894,"sku":"5055869559485","price":20.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2231\/7305\/products\/3713793.jpg?v=1704946403","url":"https:\/\/www.besvinyl.com\/products\/5055869559485","provider":"besvinyl.com","version":"1.0","type":"link"}