Gavin Harrison: Cheating the Polygraph (Vinyl LP)
Kscope
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Gavin Harrison, drummer with British Prog innovators Porcupine Tree, currently working with King Crimson, and a musician whose playing and performing résumé includes stints with artists as varied as Iggy Pop, Lewis Taylor, Manfred Mann and Kevin Ayers, is to release a brand new solo album, entitled Cheating The Polygraph. Cheating The Polygraph is an ambitious project which sees the restlessly creative Harrison re-imagine eight songs from the acclaimed Porcupine Tree repertoire, in a set of vivid and vibrant new arrangements that give full, free rein to his enquiring musical mind. The eight tracks which comprise the album were recorded over a five-year period, with Harrison working in conjunction with a crew of some of the finest contemporary musicians, including the gifted saxophonist Nigel Hitchcock and bass player Laurence Cottle. It's a set that will no doubt excite much controversy; Harrison use of the 'Big Band' musical sound stage isn't some ersatz attempt to make a 'Swing' album; it's closer in execution and arrangement to the innovative works of Frank Zappa & The Mothers of Invention, a layered, richly-textured selection that is both beautifully-recorded and incisively delivered. What Happens Now?, Sound of Muzak/So Called Friend, The Start of Something Beautiful, Heart Attack in a Layby/The Creator Had a Mastertape/Surfer, The Pills I'm Taking (From Anesthetize), Hatesong/Halo, Cheating the Polygraph/Mother ; Child Divided, Futile
Gavin Harrison, drummer with British Prog innovators Porcupine Tree, currently working with King Crimson, and a musician whose playing and performing résumé includes stints with artists as varied as Iggy Pop, Lewis Taylor, Manfred Mann and Kevin Ayers, is to release a brand new solo album, entitled Cheating The Polygraph. Cheating The Polygraph is an ambitious project which sees the restlessly creative Harrison re-imagine eight songs from the acclaimed Porcupine Tree repertoire, in a set of vivid and vibrant new arrangements that give full, free rein to his enquiring musical mind. The eight tracks which comprise the album were recorded over a five-year period, with Harrison working in conjunction with a crew of some of the finest contemporary musicians, including the gifted saxophonist Nigel Hitchcock and bass player Laurence Cottle. It's a set that will no doubt excite much controversy; Harrison use of the 'Big Band' musical sound stage isn't some ersatz attempt to make a 'Swing' album; it's closer in execution and arrangement to the innovative works of Frank Zappa & The Mothers of Invention, a layered, richly-textured selection that is both beautifully-recorded and incisively delivered. What Happens Now?, Sound of Muzak/So Called Friend, The Start of Something Beautiful, Heart Attack in a Layby/The Creator Had a Mastertape/Surfer, The Pills I'm Taking (From Anesthetize), Hatesong/Halo, Cheating the Polygraph/Mother ; Child Divided, Futile