In 1964, Martin Denny looked beyond the Hawaiian and Asian influences of his previous records to find another place to plant his umbrella in the sand, as well as in your drink: the sounds of Latin America. Angelito, On Green Dolphin Street, Corcovado, Without You (Tres Palabras), Ho-Ba-La-La, Something Latin, Manha de Carnaval, Latin Village, The Girl from Ipanema, Malaguena, Sugar Cane, Flying Down to Rio