Wilkes, Sam: 104.3 (Vinyl LP)
Psychic Hotline
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Los Angeles-based artist Sam Wilkes is known for his genre-defying solo work and collaborations in the experimental and jazz community. His debut release for Psychic Hotline, I Know I'm Not Wrong b/w Learning to Fly, is part of the label's ongoing Singles Series.Stepping away from his bass guitar, Wilkes explores new territory on a borrowed Fender Stratocaster, lent to him by longtime friend Brian Robert Jones (Paramore, Vampire Weekend).On the very night he brought the guitar home, Wilkes recorded a live, loop-based version of Tom Petty's Learning to Fly in a single take, later layering in bass and background vocals. The whole thing started as an experiment; more about exploring an instrument than making a record.A few weeks later on his last night with the Strat, Wilkes recorded what would become the A-Side: his reimagining of Fleetwood Mac's I Know I'm Not Wrong.I just wanted to document what was happening without any other intention. Half of my time on bass is spent trying to make it sound not like a bass, so actually getting to play a different instrument felt incredibly liberating, says Wilkes.Both arrangements are intuitive and spontaneous. Captured without pretense, the result is a pair of understated songs, perfect for a summer drive. I Know I'm Not Wrong, Learning to Fly
Los Angeles-based artist Sam Wilkes is known for his genre-defying solo work and collaborations in the experimental and jazz community. His debut release for Psychic Hotline, I Know I'm Not Wrong b/w Learning to Fly, is part of the label's ongoing Singles Series.Stepping away from his bass guitar, Wilkes explores new territory on a borrowed Fender Stratocaster, lent to him by longtime friend Brian Robert Jones (Paramore, Vampire Weekend).On the very night he brought the guitar home, Wilkes recorded a live, loop-based version of Tom Petty's Learning to Fly in a single take, later layering in bass and background vocals. The whole thing started as an experiment; more about exploring an instrument than making a record.A few weeks later on his last night with the Strat, Wilkes recorded what would become the A-Side: his reimagining of Fleetwood Mac's I Know I'm Not Wrong.I just wanted to document what was happening without any other intention. Half of my time on bass is spent trying to make it sound not like a bass, so actually getting to play a different instrument felt incredibly liberating, says Wilkes.Both arrangements are intuitive and spontaneous. Captured without pretense, the result is a pair of understated songs, perfect for a summer drive. I Know I'm Not Wrong, Learning to Fly