L. Voag: Way Out (Vinyl LP)
Superior Viaduct
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Limited vinyl LP repressing includes bonus 7” pressing of the rare Move EP. 1979 solo debut from The Homosexuals bassist Jim Welton (aka. L. Voag). A band by the name of The Rejects were formed in the bar of Goldsmith's College in South London in 1976. The name The Rejects was too deeply embedded in what was regarded as the new conformity of punk, leading to the name change to The Homosexuals. The band then lived in a series of squats while making music and recording. Their angular guitars, complex melodies, and experimental leanings distanced them somewhat from the punk rock being created by their contemporaries and cemented their reputation as a precursor to post-punk. The band members recorded in various combinations under several different pseudonyms. Contrary to often cited information about Homosexuals side projects, L. Voag's The Way Out was a Jim Welton solo album recorded during downtime between recording sessions at Surrey Sound. Front Door, Hall, Kitchen, Toilet, Living Room, Bedroom, The Way Out, The Lengthy Pause, Franco's Prayer, The Raw End (Of the Tits Bum ; Challenge Deal), Boxing and Sparring (With the Third Dimension), The Goalkeepers Fear of the Piss-Up, Planning - Budgeting - Shopping, Helping the Police with Their Enquiries, Your Own Hair - Your Own Chance, El Cada Dia Del Gente Comun, The Tuned Knife and Fork Toned Down to a Light Lunch, The Monumental, Beauty Spreads, Aural Terrorism, We Dress Up Our Ideas (To Make Them Seem Greater Than They Really Are), According to Freud
Limited vinyl LP repressing includes bonus 7” pressing of the rare Move EP. 1979 solo debut from The Homosexuals bassist Jim Welton (aka. L. Voag). A band by the name of The Rejects were formed in the bar of Goldsmith's College in South London in 1976. The name The Rejects was too deeply embedded in what was regarded as the new conformity of punk, leading to the name change to The Homosexuals. The band then lived in a series of squats while making music and recording. Their angular guitars, complex melodies, and experimental leanings distanced them somewhat from the punk rock being created by their contemporaries and cemented their reputation as a precursor to post-punk. The band members recorded in various combinations under several different pseudonyms. Contrary to often cited information about Homosexuals side projects, L. Voag's The Way Out was a Jim Welton solo album recorded during downtime between recording sessions at Surrey Sound. Front Door, Hall, Kitchen, Toilet, Living Room, Bedroom, The Way Out, The Lengthy Pause, Franco's Prayer, The Raw End (Of the Tits Bum ; Challenge Deal), Boxing and Sparring (With the Third Dimension), The Goalkeepers Fear of the Piss-Up, Planning - Budgeting - Shopping, Helping the Police with Their Enquiries, Your Own Hair - Your Own Chance, El Cada Dia Del Gente Comun, The Tuned Knife and Fork Toned Down to a Light Lunch, The Monumental, Beauty Spreads, Aural Terrorism, We Dress Up Our Ideas (To Make Them Seem Greater Than They Really Are), According to Freud