Marian Hill: Lips / Got It (Vinyl LP)
B3Sci
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Philadelphia electronic pop duo Marian Hill return with a pair of new tracks - Got It and Lips - that demonstrate two very different sides of their ever-maturing craft for their debut physical release and forthcoming B3SCI Records 7. Comprised of Jeremy Lloyd (production/songwriting) and Samantha Gongol (vocals/songwriting), the pair's roots can be traced back as far as a middle school talent show that saw Lloyd - the son of a conductor and an opera singer - hear Gongol sing for the first time. Many a moon down the line, following a stint studying music composition at college for Lloyd while Gongol was cutting her teeth in New York as a songwriter, the pair reunited in the former's bedroom studio. Got It and Lips, the latest offerings from the duo, might be the finest syntheses of their output to date. Working under a modus operandi to fuse the simplicity of timeless songwriting with the dexterous craft of modern pop production, Got It finds itself in the middle of a head-on collision between sultry soul and whirring synth brass. Lips, meanwhile, goes straight for the romantic jugular - flitting between emotive electronica and jittery, after-hours RnB. Lips, Got It
Philadelphia electronic pop duo Marian Hill return with a pair of new tracks - Got It and Lips - that demonstrate two very different sides of their ever-maturing craft for their debut physical release and forthcoming B3SCI Records 7. Comprised of Jeremy Lloyd (production/songwriting) and Samantha Gongol (vocals/songwriting), the pair's roots can be traced back as far as a middle school talent show that saw Lloyd - the son of a conductor and an opera singer - hear Gongol sing for the first time. Many a moon down the line, following a stint studying music composition at college for Lloyd while Gongol was cutting her teeth in New York as a songwriter, the pair reunited in the former's bedroom studio. Got It and Lips, the latest offerings from the duo, might be the finest syntheses of their output to date. Working under a modus operandi to fuse the simplicity of timeless songwriting with the dexterous craft of modern pop production, Got It finds itself in the middle of a head-on collision between sultry soul and whirring synth brass. Lips, meanwhile, goes straight for the romantic jugular - flitting between emotive electronica and jittery, after-hours RnB. Lips, Got It