Mahal, Taj: The Natch'l Blues (Vinyl LP)
Pure Pleasure
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Taj Mahal's second album, recorded in the spring and fall of 1968, opens with more stripped-down Delta-style blues in the manner of his debut, but adds a little more amplification (partly courtesy of Al Kooper on organ) before moving into wholly bigger sound on numbers like She Caught the Katy and Left Me a Mule to Ride and The Cuckoo - the latter, features crunchy electric and acoustic guitars and Gary Gilmore playing his bass almost like a lead instrument, like a bluesman's answer to John Entwistle. Most notable, however, may be the two original closing numbers, You Don't Miss Your Water ('Til Your Well Runs Dry) and Ain't That a Lot of Love, which offer Taj Mahal working in the realm of soul and treading onto Otis Redding territory.
Taj Mahal's second album, recorded in the spring and fall of 1968, opens with more stripped-down Delta-style blues in the manner of his debut, but adds a little more amplification (partly courtesy of Al Kooper on organ) before moving into wholly bigger sound on numbers like She Caught the Katy and Left Me a Mule to Ride and The Cuckoo - the latter, features crunchy electric and acoustic guitars and Gary Gilmore playing his bass almost like a lead instrument, like a bluesman's answer to John Entwistle. Most notable, however, may be the two original closing numbers, You Don't Miss Your Water ('Til Your Well Runs Dry) and Ain't That a Lot of Love, which offer Taj Mahal working in the realm of soul and treading onto Otis Redding territory.